ITALIAN STORY
In the beginning was ceramics.
hard, thick, resistant to one side. Thin
the limit of transparency, precious, fragile hand.
Nicola Boccini, founder of CLS (Ceramica Libera Sperimentale) and soul of the school Ranieri from Deruta, loves research, experimentation. Try, try, try again, for two long years looking for the marriage impossible ceramic thin and almost indestructible. It succeeds, the effort is rewarded, the impossible is possible and the features remain intact. But not enough, he wants to do more, wants the light. Still study, research, and finally here it is: Ceramic thin (1 mm), hard, standing by fluorescence. The applications and uses can be very many, the choice is vast.
At this point enters into this extraordinary Italian Gaia Peace, stylist, talent and creativity at the School of sizes and Gianfranco Ferre Francois Lesage. Gaia accepts the challenge: decontextualise ceramics giving an image of yeast ', using it for the bodice of a dress and fluid' impact from Amazon today.
Project Evolution Revolution Art, traveling exhibition that brings together the works of 12 international artists brought together by the use of experimental ceramic designers with two guests who have agreed to join the group with their creativity, from Paris.
Gaia Peace has lived in Paris, assistant to Gianfranco Ferré was responsible only for the embroidery of Christian Dior Haute Couture, he has breathed the air and the great tradition of tailoring. Working with François Lesage has understood the extent of disruptive embroidery decorating soul becomes juxtaposed apparel, indelible scratch. Draw a suit absolute tribute to femininity and timeless by Nike of Samothrace in the Louvre that seduces and enchants visitors daily from around the world. Gaia Peace designs with pinpoint precision all the elements for the decoration Nicola Boccini run with equal precision. The embroidery of the bodice and shoulder is superb, the timeless charm found, the innovation of the total fluorescence. "The use of ceramic fluorescent in fashion is a great revolution, comparable to the introduction of the armholes in jackets," said Gaia Peace. A small revolution, therefore, that marks a new chapter in the history of ceramics in the history of fashion. A revolution all Italian.
In the beginning was ceramics.
hard, thick, resistant to one side. Thin
the limit of transparency, precious, fragile hand.
Nicola Boccini, founder of CLS (Ceramica Libera Sperimentale) and soul of the school Ranieri from Deruta, loves research, experimentation. Try, try, try again, for two long years looking for the marriage impossible ceramic thin and almost indestructible. It succeeds, the effort is rewarded, the impossible is possible and the features remain intact. But not enough, he wants to do more, wants the light. Still study, research, and finally here it is: Ceramic thin (1 mm), hard, standing by fluorescence. The applications and uses can be very many, the choice is vast.
At this point enters into this extraordinary Italian Gaia Peace, stylist, talent and creativity at the School of sizes and Gianfranco Ferre Francois Lesage. Gaia accepts the challenge: decontextualise ceramics giving an image of yeast ', using it for the bodice of a dress and fluid' impact from Amazon today.
Project Evolution Revolution Art, traveling exhibition that brings together the works of 12 international artists brought together by the use of experimental ceramic designers with two guests who have agreed to join the group with their creativity, from Paris.
Gaia Peace has lived in Paris, assistant to Gianfranco Ferré was responsible only for the embroidery of Christian Dior Haute Couture, he has breathed the air and the great tradition of tailoring. Working with François Lesage has understood the extent of disruptive embroidery decorating soul becomes juxtaposed apparel, indelible scratch. Draw a suit absolute tribute to femininity and timeless by Nike of Samothrace in the Louvre that seduces and enchants visitors daily from around the world. Gaia Peace designs with pinpoint precision all the elements for the decoration Nicola Boccini run with equal precision. The embroidery of the bodice and shoulder is superb, the timeless charm found, the innovation of the total fluorescence. "The use of ceramic fluorescent in fashion is a great revolution, comparable to the introduction of the armholes in jackets," said Gaia Peace. A small revolution, therefore, that marks a new chapter in the history of ceramics in the history of fashion. A revolution all Italian.
Gaia Peace, Alisa Dumas, Nicola Boccini art revolution for evolution
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